An exhibition of the University of Applied Arts Vienna during Vienna Art Week 2013
Opening: Monday 18 November 2013, 7:30 p.m., MuseumsQuartier Wien/Ovalhalle
Introduction speech: Gerald Bast, President of the University of Applied Arts Vienna
On behalf of Art & Science: Virgil Widrich, Head of the Art & Science department; Bernd Kräftner, Department for Ontological Patchworks
Exhibition: 1922 November 2013
TueThu: 10:00 a.m.10:00 p.m.
Friday: 10:00 a.m.4:00 p.m.
MuseumsQuartier/Ovalhalle, Museumsplatz 1, 1070 Vienna
+43 1 711 33 / 2160, firstname.lastname@example.org
+43 1 711 33 / 2250, email@example.com
The exhibition project aims to re-enact scientific experiments that are considered as crucial. What is a crucial experiment? Some explain it as an experiment that takes place at a fork and helps us to decide which way to go. Think, for instance, of Einsteins theory of relativity: His famous Gedankenexperimente were elegant, but how to prove that they relate to reality? Or think of Newtons prism experiments to show the composition of light. In our time, a crucial experiment may test the De-Broglie-Bohm trajectories for indistinguishable particles to reconsider the wave-particle duality. There are crucial experiments considered as being successful, and others that failed miserably: see, for example, the article in the journal American Society for Psychical Research from 1907, in which a physician comes to the conclusion that the soul substance weighs on average 21 grams. Finally, there were highly controversial crucial experiments, which were wiped from the scientific agenda as if their authors had claimed to have created gold from sand. However, the question of whether a chemical transfer of knowledge is possible or whether cold fusion can solve our energy problems might still be a worthwhile pursuit.
The exhibition presents case studies of crucial experiments, which students of the Art & Science master degree programme elaborate by examining the topic of crucial experiments in the sciences. The methodological framework of re-enactment enables the exploration of historical or contemporary, realistic or fictional, sceptical and obsessive approaches to creating experimental set-ups by means of different artistic media and research strategies. The outcome of this artistic research should give an impression of the messy interface and intricate relationships between theory and practice, models and observations, predictions and desires.
The compilation of the case studies was conducted in collaboration with cooperation partners at various scientific institutes in Vienna. The Art & Science students visit and learn at these institutes on a regular basis in order to develop their own artistic projects in the field and in relation with current issues in research. Drawing from these existing networks, the group works by the students on crucial experiments have been developed in a process of interdisciplinary exchange with the partner institutes. These re-enacted experiments will be presented at Vienna Art Week 2013, passing on the resulting questions to a public audience for discussion.
Joan Carles Ballesté, Solmaz Farhang, Maria Christina Hilber, Sebastian Kienzl, Stefanie Koemeda, Max Kropitz, Isidora Krstić, Anita Peretti, Zahra Shahabi, Al Teleki, Sergio Valenzuela
Based on a cooperation of Art & Science (University of Applied Arts Vienna) with the Department of Limnology (University of Vienna), the Research Institute of Wildlife Ecology (University of Veterinary Medicine Vienna), the Department of Diagnostic Radiology (Medical University of Vienna) and the Edelsbrunner Group (Institute of Science and Technology Austria)
With the support of
Tom Battin, Herbert Edelsbrunner, Franz Kainberger, Andrea Maier, Chris Walzer and other collaborating researchers
Artistic and scientific direction
Bernd Kräftner, Virgil Widrich