„Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip
of my words. My language trembles with desire.”
- Roland Barthes. A Lover’s Discourse: Fragments (1977)
Stepping into a liminal zone of convergence where time slows down and the tactile counter of the present moving body enters into the foreground. In an age of ceaseless acceleration and constant change, the performance "The Other’s Body" (2023) intends to explore the themes of slowness, repetition, and transformation through the pretext of a tongue. The performance invites the observer to witness the transformation of embodied forms, reflecting on the articulations and muscle tone of a tongue. Actions, gestures and movements all become a series of recurring motifs. Each articulation signifies a trace, a variation from the past that pushes the boundaries of the visceral and ephemeral present.
In collaboration with: Imani Rameses, Lena Schattenberg, Theo Emil Krausz, Matthias (Romsi) Romstorfer and Nicholas Denzel Sambou
Concept: Timothy Nouzak
In conversation with: Sabine Scheitl
Artistic Video Documentation: Dennis Schlaghuber
Sound: ‚One in a Million’ by ROMC
Supported by: Künstlerhaus Wien, Art & Science Institute Angewandte, APL - Angewandte Performance Laboratory and Kultur Innere Stadt
Production: WEMOVE - Verein zur Förderung junger und experimenteller Kunst
Special thanks to: Mala, Leyla and Vincent
Video of performance:
Timothy Nouzak is an Austrian-American choreographer and performance artist with an MA in Choreography and a postgraduate Masters in Cultural Management. Timothy, is a guest student at the Art & Science department, focusing on sociological, cognitive and artistic practices that explore methods which can collectively be rediscovered through expanded forms of collective listening and sensing. Through the funded university project “How We Ought To Be Together,” he currently engages with alternative feedback methods and socially engaged practice.
https://timothynouzak.com
- Roland Barthes. A Lover’s Discourse: Fragments (1977)
Stepping into a liminal zone of convergence where time slows down and the tactile counter of the present moving body enters into the foreground. In an age of ceaseless acceleration and constant change, the performance "The Other’s Body" (2023) intends to explore the themes of slowness, repetition, and transformation through the pretext of a tongue. The performance invites the observer to witness the transformation of embodied forms, reflecting on the articulations and muscle tone of a tongue. Actions, gestures and movements all become a series of recurring motifs. Each articulation signifies a trace, a variation from the past that pushes the boundaries of the visceral and ephemeral present.
In collaboration with: Imani Rameses, Lena Schattenberg, Theo Emil Krausz, Matthias (Romsi) Romstorfer and Nicholas Denzel Sambou
Concept: Timothy Nouzak
In conversation with: Sabine Scheitl
Artistic Video Documentation: Dennis Schlaghuber
Sound: ‚One in a Million’ by ROMC
Supported by: Künstlerhaus Wien, Art & Science Institute Angewandte, APL - Angewandte Performance Laboratory and Kultur Innere Stadt
Production: WEMOVE - Verein zur Förderung junger und experimenteller Kunst
Special thanks to: Mala, Leyla and Vincent
Video of performance:

Timothy Nouzak is an Austrian-American choreographer and performance artist with an MA in Choreography and a postgraduate Masters in Cultural Management. Timothy, is a guest student at the Art & Science department, focusing on sociological, cognitive and artistic practices that explore methods which can collectively be rediscovered through expanded forms of collective listening and sensing. Through the funded university project “How We Ought To Be Together,” he currently engages with alternative feedback methods and socially engaged practice.
https://timothynouzak.com
Fact Box
The Other’s Body
Categories
Part of
Date
June 24, 2023
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Students
- Timothy Nouzak (Exhibiting artist)
Pariticipants