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Maximilian Gallo (b. 1994, Göttingen, Germany) studied Cultural Studies and Artistic Practice - An International Comparison of Cultural Policies at the University of Hildesheim (DE). His practice stretches from art mediation and curatorial practice to the experimentation with publishing formats as a way to critically reflect on practical outputs.
Radical Matter Magazine Prototype
© Ivonne Gracia Murillo & Maximilian GalloRadical Matter Magazine Prototype, 2022 The underlying concepts of the Radical Matter project inform the magazine prototype.We think of the magazine as an ever-growing, organism-…
Data Loam: Sometimes Hard, Usually Soft. The Future of Knowledge Systems
Big data: A matter of art “Data Loam: Sometimes Hard, Usually Soft. The Future of Knowledge Systems” is a landmark work. It details the wild proliferation of data and its profound methodological implications for arts and…
Publication Team, Book Designing, Cover Work
click for Publication Team click for Book Design
Representing the: Translating Dark Matter
click here to view part of book.
C.A.T.: Catastrophic Animals on Terra
About the book:From 2016–19 students of the Art & Science master course have been working on the implications of a contemporary academic discourse that aims at reframing our understanding of ‘nature’ through the annual t…
I AM A C.A.T. – SHELTER – INVESTIGATION
CATASTROPHES IN PARTICIPATORY OBSERVATIONComing to the woods I firstly pressured myself into developing some kind of artistic idea, asking myself what I could build out of the material that the forest, the dells and hill…
ORIGIN POETICS 2019
The artworks on show have been produced by a range of international artists who are working in collaboration with the art@CMS-ORIGIN programme. Based on personal interests and research by each artist each piece has been…
Representing the Invisible – Translating Dark Matter
In particle physics as well as in the social science, the observer is a dialectic entity, it enables the disclosure of a phenomenon as well as it influences and distorts the context in which the observation takes place.…
Latent Bones
2nd part of the exhibition by Art & Science first year Master Students in collaboration with BBMRI-ERIC biobank/ˈbʌɪə(ʊ)baŋk/NOUN A large and classified collection of biological samples and related data, amassed primaril…
Boxels – part of Biennale Sessions – La Biennale di Venezia
On the occasion of the panel “Digital Transformations – Society and Arts at the Turning Point”, students and alumni of the Art & Science Department at the University of Applied Arts Vienna are presenting their works in a…
DATA LOAM - Sometimes Hard, Usually Soft
“Data Loam” line-up on Friday, March 1st 201915:00 - 18:30 Angewandte Innovation LaboratoryFranz Josefs Kai 3, 1010 Wienwww.ailab.at 15:00 - Martin ReinhartUniversity of Applied Arts Introduction to the “Data Loam” proje…
Data Loam Book Prototype
Data Loam tackles new ways of organizing information, therefore it was necessary that the sister publication do the same. In the pursuit of going beyond the conventional while allowing function to dictate form, this ever…
DATA LOAM - Sometimes Hard, Usually Soft
Exhibition duration: Monday, 25 February 2019 – Friday, 8 March 2019Opening: Monday, 25 February 2019, 19:00Discussion: Friday, 1 March 2019, 19:00 Angewandte Innovation LaboratoryFranz Josefs Kai 3, 1010 Wienwww.ailab.a…
DATA LOAM - Sometimes Hard, Usually Soft - OPENING: 25 February
During the opening London based artist Anna Nazo will present her piece “Performance”. The work includes a spoken word/poetry co-written with AI, brainwave performance (CGI generated live from artist’s EEG data), and a d…
Representing the Invisible: Translating Dark Matter
The project “Representing the Invisible: Translating Dark Matter” deals with the scientific research on Dark Matter. At the interface of empirical social research and artistic practice the work of Johannes Frauenschuh un…
The Landing is on Friday
In the context of the annual topic 2016–18: IN THE WOODS – IN THE WILDFrom 2016–18 students of the Art & Science master’s course, University of Applied Arts Vienna, have been working on the implications of a contemporary…
Forces of revolution | Inside exploitation
Forces of revolutionMedia: Rafaels neatly cut wooden plates, 12 screws, iron parts, cardboard, duct tape, test tubes, drill Pushing outwards with 4000 revolutions per minuteWill it be enough?To do what?To differentiate!…
23 Oct 2018
ROUNDTABLE