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Johanna Folkmann (b. 1975, Bytom, Poland) studied social at the University in Dortmund and photography at the University of Applied Arts in Vienna.
C.A.T.: Catastrophic Animals on Terra
About the book:From 2016–19 students of the Art & Science master course have been working on the implications of a contemporary academic discourse that aims at reframing our understanding of ‘nature’ through the annual t…
HOLDING ONTO – FLOWERS – RUSHNYK
TO HOLD ONTO SOMETHING SO TIGHT, YOU HAVE ALREADY LOSTEntering the landing zone first time after our scouting mission, I was standing on what had become of one of the small sheds somehow in the time span of around two mo…
Boxels – part of Biennale Sessions – La Biennale di Venezia
On the occasion of the panel “Digital Transformations – Society and Arts at the Turning Point”, students and alumni of the Art & Science Department at the University of Applied Arts Vienna are presenting their works in a…
The Landing is on Friday
In the context of the annual topic 2016–18: IN THE WOODS – IN THE WILDFrom 2016–18 students of the Art & Science master’s course, University of Applied Arts Vienna, have been working on the implications of a contemporary…
What on Earth?
A sensorial, cognitive and experimental artistic research enquiry into soil, a basic material that is essential to life, one which connects as well as divides us. How can soil speak through us, how can we speak to soil,…
10 Oct 2017
Excursion
10 Oct 2017
ROUNDTABLE
In The Woods | In The Wild
“Nature has lost its innocence.”This statement, probably, provokes very different thoughts, ideas and reactions. Some of us will think of “pristine nature” as something that is the other, the non-culture, the mother, or,…
Different Perspectives on Materials
Talks by Johannes Wittman (engineer, HEPHY), Kilian Jörg (philosopher/artist) and Clemens Rettenbacher (TBA21). A reflection on the research film ‘The State of The Observer’ by Johanna Folkmann and Rosie Benn. A discussi…
The State of the Observer
Reflecting on different statuses of observing. In the context of an open-source project like CERN, where do the boundaries begin and end for this scientific setting and its team? How can the scene for a production of kno…
23 May 2017
ROUNDTABLE
09 May 2017
ROUNDTABLE
14 Mar 2017
ROUNDTABLE
31 Jan 2017
ROUNDTABLE (WS Presentations)